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A Can Göknil exhibition: Galeri PG, Istanbul, October
2001 Many a world there
was among the vaults of the heavens. Carefree the Cuckoo was chums with
everyone. He’d play with the Light-girls and they’d all laugh and have
fun. Ülgen the God’s nine daughters were called “Light” because of their
heavenly purity and beauty. They were called Akkızlar, for in Altai Turkish,
ak, the word for “light” or “shining”, also means “paradise” or “heaven”.
For shamans, the Light-girls were like muses, the sources of their inspiration.
Pictures of Light-girls were executed on shamans’ drums. Sometimes small
figurines of them would be sewn onto a shaman’s cloak. Oddly enough, only
two of the Light-girls’ names were known to human beings: Kiştey Ana and
Erke Soldon. It was in the context of such beliefs as these that our ancestors struggled and strove to come to terms with and establish a balance between good and evil. The shamans for their part were seers who sought to make the work of establishing that balance easier. But whenever shamans passed through one of the doors that connect this world and the Underworld, there was always the danger of their being ensnared by the Dark-girls, who would deceive the shamans, distract them from their real business, and lure them away. It wasn’t that they were so fetching really: but they were exceedingly saucy and flirtatious and any poor shaman who became the victim of their wiles would be put to death by Erlik. And you are midway
between them: above you soar the sky and the vaults of Heaven; beneath
you lurks the Underworld. And you are roaming through the universe of
our ancestors in the world of Central Asian beliefs. |
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